SYMBOLIC REPRESENTATION OF AN IMAGO THROUGH AN IMAGE (THE TOPOS OF GARDEN AND PARK IN A. P. CHEKHOVS WORKS)

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SYMBOLIC REPRESENTATION OF AN IMAGO THROUGH AN IMAGE (THE TOPOS OF GARDEN AND PARK IN A. P. CHEKHOV''S WORKS)

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SYMBOLIC REPRESENTATION OF AN IMAGO THROUGH AN IMAGE (THE TOPOS OF GARDEN AND PARK IN A. P. CHEKHOV''S WORKS)

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S0131-60950000616-2-1

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Issue 2

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100-114

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Русская литература, SYMBOLIC REPRESENTATION OF AN IMAGO THROUGH AN IMAGE (THE TOPOS OF GARDEN AND PARK IN A. P. CHEKHOV''S WORKS)

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04.04.2016

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GOST	SYMBOLIC REPRESENTATION OF AN IMAGO THROUGH AN IMAGE (THE TOPOS OF GARDEN AND PARK IN A. P. CHEKHOV''S WORKS) // Russian literature. – 2016. – Issue 2 C. 100-114 .
MLA	, "SYMBOLIC REPRESENTATION OF AN IMAGO THROUGH AN IMAGE (THE TOPOS OF GARDEN AND PARK IN A. P. CHEKHOV''S WORKS)." Russian literature. 2 (2016).:100-114.
APA	(2016). SYMBOLIC REPRESENTATION OF AN IMAGO THROUGH AN IMAGE (THE TOPOS OF GARDEN AND PARK IN A. P. CHEKHOV''S WORKS). Russian literature. no. 2, pp.100-114

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 2. Propp V. Ya. Istoricheskie korni volshebnoj skazki. M., 2000. S. 55, 147. 
 3. Ril'ke R. M. Duinskie ehlegii // Soyuz Pisatelej. 2007. № 9. 
 4. Kerényi K. Az örök Antigoné [Vechnaya Antigona]. Budapest, 2003. R. 417. 
 5. Sloterdajk P. Myslitel' na stsene. Materializm Nitsshe // Nitsshe F. Rozhdenie tragedii. M., 2001. S. 621. 
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 9. Goryacheva M. Ya. Semantika «sada» v strukture khudozhestvennogo mira Chekhova // Russian Literature. 1994. № XXXV-II. P. 177. 
 10. Barro Zh.-L. Razmyshleniya o teatre. M., 1963. S. 166-167. 
 11. Bart R. S/Z. M., 2001. S. 232. 
 12. Conrad J. L. Unresolved Tension in Chekhov's Stories, 1886-1888 // The Slavic and East European Journal. 1972. № 16. 1. Spring. P. 56. 
 13. Bécsy T. A drámamodellek és a mai dráma. Budapest, 1974. R. 162. 
 14. Vajl' P., Genis A. Rodnaya rech': Uroki izyaschnoj slovesnosti. M., 1995. S. 188. 
 15. Bart R. Sistema mody: Stat'i po semiotike kul'tury. M., 2003. 
 16. Khajdegger M. Polozhenie ob osnovanii: Stat'i i fragmenty. SPb., 2000. S. 93. 
 17. Faryno J. Vvedenie v literaturovedenie. Katowice, 1980. Ch. III. S. 174. 
 18. K neosuschestvlennomu zamyslu opery D. Shostakovicha «Chernyj monakh»: «Serenada» Gaehtano Braga. Obrabotka Shostakovicha dlya soprano, metstso-soprano, skripki i fortepiano: Partitura. M., 2006. S. 35-63 (ser. «Arkhiv D.D. Shostakovicha»). 
 19. Foucault M. Of Other Spaces // Heterotopia and the City: Public Space in a Postcivil Society. London; New York, 2008. P. 19-20. 
 20. Arzyutov D. Altajskij ritual'nyj kover i sozdanie geterotopii // Antropologicheskij forum. 2013. № 18. S. 88. 
 21. http://anthropologie.kunstkamera.ru/files/pdf/018online/arzutov.pdf (data obrascheniya: 30.12.2015). 
 22. Berkovskij N. Ya. Chekhov: Ot rasskazov i povestej k dramaturgii // Berkovskij N.Ya. Literatura i teatr. M., 1969. S. 67. 
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 24. http://magazines.russ.ru/sp/2007/9/ra7.html (data obrascheniya: 30.12.2015).

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