Везде
IDENTITIES AND NETWORKS IN ST.-PETERSBURG CREATIVE INDUSTRIES
Table of contents
Annotation Estimate Publication content
References Comments
Share
QR
Metrics
IDENTITIES AND NETWORKS IN ST.-PETERSBURG CREATIVE INDUSTRIES
Annotation
PII
S0132-16250000392-7-1
Publication type
Article
Status
Published
Authors
Alexandra Barmina  Maria Safonova
Edition
Volume 387 Issue 7
Pages
82-92
Abstract
New organizational population emerged in the larger Russian cities during 2000s. Declared goal of these organizations is distribution of contemporary artistic production. This type of organizations is labelled “creative” in contemporary sociological discussion. This label should reveal new characteristic of these institutions: synthesis of different artistic (exhibitions, performances, film screening), academic (lections and seminars) and commercial (cafe and shops) activities within same public space. Expansion of creative institutions in the Russian cities reflects global tendency since economies of many world cities were transformed into economy of symbolic goods. This process is described as the rise of “creative city”. These organizations are numerically growing, but they are extremely unstable demonstrating that this organizational form is not crystallized. The paper aims at describing development of creative sector in postsoviet St.-Petersburg - as a case. The study is based on two types of data: (1) monitoring of cultural media (electronic and pinted magazines focused on cultural events in the city) and (2) sample of 40 semi-structured interviews with managers and/or art curators, representing creative institutions. We discuss (1) strategies of professional networks development, (2) type of cultural products distributed by the institutions, (3) professional qualification of employees, (4) institutional goals and values adopted. Social network analysis tools are used to map inter- organizational networks of the institutions. This mapping demonstrates latent value conflict arguably discovered in the patterns of organizational networks.
Keywords
creative industries, cultural production, sociology of art, social networks
Date of publication
01.07.2016
Number of purchasers
1
Views
509
Readers community rating
0.0 (0 votes)
Cite Download pdf

References



Additional sources and materials

Abramov R.N., Zudina A.A. Social'nye innovatory: dosugovye praktiki i kul'turnoe potreblenie // Monitoring obshchestvennogo mneniya: ekonomicheskie i social'nye peremeny. 2010. № 6(100). S. 134–142.


Vishlenkova E.A., Galiullina R.H., Il'ina K.A. Russkie professora: universitetskaya korporativnost' ili professional'naya solidarnost'. M.: Novoe literaturnoe obozrenie, 2012.


Zhelnina A.A. Tvorchestvo “dlya svoih”: social'noe isklyuchenie i kreativnye prostranstva Sankt-Peterburga // Kreativnye industrii v gorode: vyzovy, proekty i resheniya. Sbornik nauchnyh statej studentov i prepodavatelej NIU VShE / Otv. red. Yu.O. Papushina, M.V. Mateckaya. SPb.: Levsha-Sankt-Peterburg, 2012. S. 42–57.


Evin I.A. Fenomen “tesnogo mira” v iskusstve i kul'ture // Voprosy kul'turologii. 2009. № 3. S. 75–78.


Kuleva M.I. “Umnyj i eto vidno”: scena neformal'nogo kul'turnogo dosuga i novaya “intellektual'naya molodezh'” Peterburga // V kn.: Novye molodezhnye dvizheniya i solidarnosti Rossii / Pod obshch. red. E.L. Omel'chenko, G.A.


Sabirova. Ul'yanovsk: Ul'yanovskij gosudarstvennyj universitet, 2011. S. 117–126.


Magidovich M.L. Pole iskusstva kak predmet issledovaniya // Novoe Literaturnoe obozrenie. 2003. № 60. S. 54–70.


Petrunina L.Ya. Publika hudozhestvennyh muzeev // Sociologicheskie issledovaniya. 2010. № 10. S. 63–74.


Sokolov M.M. Rynki truda, stratifikaciya i kar'ery v sovetskoj sociologii: Istoriya sovetskoj sociologicheskoj professii // Ekonomicheskaya sociologiya. 2011. № 12(4). P. 37–72.


Barabasi A. Network Theory – the Emergence of the Creative Enterprise // Science. 2005. № 308 (5722). P. 639–641.


Becker H. S. Art Worlds. Berkeley, Los Angeles: University of California Press, 2005.


Bennett T. The political rationality of the museum // Continuum: Journal of Media & Cultural Studies. 1990. № 3(1). P. 35–55.


Bourdieu P. Distinction: A social critique of the judgement of taste. Cambridge: Harvard University Press, 1984.


Bourdieu B. The Field of Cultural Production: Essays on Art and Literature. Columbia University Press, 1993.


Bourdieu P., Darbel A., Schnapper D. The love of art: European art museums and their public. Polity Press, 1997.


Burt R.S. Structural Holes and Good Ideas // The American Journal of Sociology. 2004. № 110(2). P. 349–399


Cattani G., Ferriani S.A. Core/Periphery Perspective on Individual Creative Performance: Social Networks and Cinematic Achievements in the Hollywood Film Industry // Journal of Management Studies. 2008. № 39. P. 123–146.


Chan T.W., Goldthorpe J.H. Social stratification and cultural consumption: The visual arts in England // Poetics. 2007. № 35(2–3). P. 168–190.


DiMaggio P. Cultural Entrepreneurship in Nineteenth-Century Boston: The Creation of Organizational Base for High Culture in America // Media, Culture and Society. 1982. № 4. P. 33–50.


DiMaggio P., Mohr J. Cultural Capital, Educational Attainment, and Marital Selection // American Journal of Sociology. 1985. № 90(6). P. 1231–1261.


DiMaggio P. Nadel’s Paradox Revisited: Relational and Cultural Aspects of Organizational Structure // Networks and Organizations / Edited by Nohria N. and Eccles R.G. Boston: Harvard Business School Press, 1992. P. 118–142.


Elias N. Mozart: Portrait of a Genius. University of California Press, 1993.


Farrell M.P. Collaborative circles: Friendship dynamics and creative work. University of Chicago Press, 2000.


Foster P., Borgatti S.P., Jones C. Gatekeeper search and selection strategies: Relational and network governance in a cultural market // Poetics. 2011. № 39. P. 247–265.


Garnham N. From cultural to creative industries // International Journal of Cultural Policy. 2006. № 11(1). P. 15–29.


Gilmore A., Rentschler R. Changes in museum management: a custodial or marketing emphasis // Journal of management development. 2002. № 21(10). P. 745–760.


Guimera R., Uzzi B., Spiro J., Amarall L.A.N. Team Assembly Mechanisms Determine Collaboration Network Structure and Team Performance // Science. 2005. № 308(5722). P. 697–702.


Johnson V. What is Organizational Imprinting? Cultural Entrepreneurship in the Founding of the Paris Opera // American Journal of Sociology. 2007. № 113(1). P. 97–127.


Hooper-Greenhill E. Changing Values in the Art Museum: rethinking communication and learning // International Journal of Heritage Studies. 2000. №6 (1). P. 9-31.


Katz-Gerro T. Highbrow Cultural Consumption and Class Distinction in Italy, Israel, West Germany, Sweden, and the United States // Social Forces. 2002. № 81(1). P. 207–229.


Peterson R.A., Kern R.M. Changing Highbrow Taste: From Snob to Omnivore // American Sociological Review. 1996. № 61(5). P. 900–907.


Uzzi B., Spiro J. Collaboration and Creativity: The Small World Problem // American Journal of Sociology. 2005. № 11(2). P. 447–504.


White H., White C.A. Canvases and Careers: Institutional Change in French Painting World. Chicago: Chicago University Press, 1993.


Zolberg V. Conflict visions in American Art Museums // Theory and Society. 1981. № 10. P. 103–125


Zolberg V. American Art Museums: Sanctuary or Free-For-All? // Social Forces. 1984. № 63(2). P. 377–392.

Comments

No posts found

Write a review
Translate