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Robert Bresson: Homo silentii of the French cinima
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Robert Bresson: Homo silentii of the French cinima
Annotation
PII
S0236-20070000616-8-1
Publication type
Article
Status
Published
Authors
Julia Mikheeva 
Edition
Issue 3
Pages
148-163
Abstract
The article deals with the “aesthetics of silence” in films by French director Robert Bresson. Intraframe and offscreen sound is investigated in the context of the author’s unique style and aesthetic principles of the master, developed and improved throughout his creative life. The sound side of Bresson films evolves from the expressed affectivity to the visual ontology.
Keywords
ROBERT BRESSON, AUTHOR'S CINEMA, AUDIOVISUAL DECISION IN THE MOVIE, MUSIC IN THE MOVIE, AESTHETICS OF CINEMA, TRANSCENDENTAL STYLE IN FILM
Date of publication
01.06.2015
Number of purchasers
1
Views
1047
Readers community rating
0.0 (0 votes)
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References



Additional sources and materials

    

  1. Bozhovich V.I. Rober Bresson // Bozhovich V.I. Sovremennye zapadnye kinorezhissery. M.: Nauka, 1972.
    2. 

  2. Bresson R. V razgovore s Serzhem Daneh i Serzhem Tubiana. "Kaje dyu sinema", № 348-349, iyun'-iyul' 1983 // Bresson Rober. Materialy k retrospektive fil'mov. Dekabr' 1994. M.: Muzej kino, 1994. S. 55.
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  3. Bresson R. Zametki o kinematografe // Bresson Rober. Materialy k retrospektive fil'mov. Dekabr' 1994. M.: Muzej kino, 1994.
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  4. Vinogradov V.V. Stilevye napravleniya frantsuzskogo kinematografa. M.: “Kanon+” ROOI “Reabilitatsiya”, 2010.
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  5. Shrejder P. Transtsendental'nyj stil' v kino: Odzu, Bresson, Drejer. Ch. 1 / Per. N.A. Tsyrkun // Kinovedcheskie zapiski. 1996/97. № 32. S. 189.
    6. 

  6. Schrader P. Transcendental Style in Film: Ozu, Bresson, Dreyer. - Berkeley: University of California Press, 1972.
    7. 

  7. Sontag S. Spiritual Style in the Films of Robert Bresson // Sontag S. Against Interpretation. N.Y.: Dell Publishing Co, 1969. P. 181-198
    8.

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